Posts Tagged: Paul Wonner

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EMILIO VILLALBA

first published in Juxtapoz, June 21, 2023 Everything is Boldness Emilio Villalba at Dolby Chadwick Gallery by Matt Gonzalez San Francisco based painter Emilio Villalba exhibits a series of twenty-five new paintings (oil on canvas works dated 2023) at Dolby Chadwick

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EMILIO VILLALBA

first published in Juxtapoz, June 21, 2023 Everything is Boldness Emilio Villalba at Dolby Chadwick Gallery by Matt Gonzalez San Francisco based painter Emilio Villalba exhibits a series of twenty-five new paintings (oil on canvas works dated 2023) at Dolby Chadwick

/ Art

PAUL WONNER

original to The Matt Gonzalez Reader, November 5, 2016 (updated 05/22/23) One of eight known versions of Paul Wonner’s Still Life with “Femme au Coq.” Paul Wonner and the “Femme au Coq” paintings of the 1950s By Matt Gonzalez During the

/ Art

PAUL WONNER

original to The Matt Gonzalez Reader, November 5, 2016 (updated 05/22/23) One of eight known versions of Paul Wonner’s Still Life with “Femme au Coq.” Paul Wonner and the “Femme au Coq” paintings of the 1950s By Matt Gonzalez During the

/ Art

THEOPHILUS BROWN

first published in The New Fillmore, September 2011; reprinted in Theophilus Brown, An Artful Life (SF: Thomas Reynolds Gallery, 2011) Theophilus Brown in his Berkeley studio, 1955 or 56. A FRIENDSHIP WITH THEOPHILUS BROWN by Matt Gonzalez Much has been

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THEOPHILUS BROWN

first published in The New Fillmore, September 2011; reprinted in Theophilus Brown, An Artful Life (SF: Thomas Reynolds Gallery, 2011) Theophilus Brown in his Berkeley studio, 1955 or 56. A FRIENDSHIP WITH THEOPHILUS BROWN by Matt Gonzalez Much has been

/ Art

THEOPHILUS BROWN, COLLAGES

first published in the San Francisco Bay Guardian, May 27, 2009 ACCIDENTAL, WITH PURPOSE by Matt Gonzalez WHAT BEGAN AS A FRUGAL effort to make use of leftover paint, something all painters grapple with on occasion, has spawned a late

/ Art

THEOPHILUS BROWN, COLLAGES

first published in the San Francisco Bay Guardian, May 27, 2009 ACCIDENTAL, WITH PURPOSE by Matt Gonzalez WHAT BEGAN AS A FRUGAL effort to make use of leftover paint, something all painters grapple with on occasion, has spawned a late