Posts Tagged: Paul Wonner
EMILIO VILLALBA
first published in Juxtapoz, June 21, 2023 Everything is Boldness Emilio Villalba at Dolby Chadwick Gallery by Matt Gonzalez San Francisco based painter Emilio Villalba exhibits a series of twenty-five new paintings (oil on canvas works dated 2023) at Dolby Chadwick
EMILIO VILLALBA
first published in Juxtapoz, June 21, 2023 Everything is Boldness Emilio Villalba at Dolby Chadwick Gallery by Matt Gonzalez San Francisco based painter Emilio Villalba exhibits a series of twenty-five new paintings (oil on canvas works dated 2023) at Dolby Chadwick
PAUL WONNER
original to The Matt Gonzalez Reader, November 5, 2016 (updated 05/22/23) One of eight known versions of Paul Wonner’s Still Life with “Femme au Coq.” Paul Wonner and the “Femme au Coq” paintings of the 1950s By Matt Gonzalez During the
PAUL WONNER
original to The Matt Gonzalez Reader, November 5, 2016 (updated 05/22/23) One of eight known versions of Paul Wonner’s Still Life with “Femme au Coq.” Paul Wonner and the “Femme au Coq” paintings of the 1950s By Matt Gonzalez During the
THEOPHILUS BROWN
first published in The New Fillmore, September 2011; reprinted in Theophilus Brown, An Artful Life (SF: Thomas Reynolds Gallery, 2011) Theophilus Brown in his Berkeley studio, 1955 or 56. A FRIENDSHIP WITH THEOPHILUS BROWN by Matt Gonzalez Much has been
THEOPHILUS BROWN
first published in The New Fillmore, September 2011; reprinted in Theophilus Brown, An Artful Life (SF: Thomas Reynolds Gallery, 2011) Theophilus Brown in his Berkeley studio, 1955 or 56. A FRIENDSHIP WITH THEOPHILUS BROWN by Matt Gonzalez Much has been
THEOPHILUS BROWN, COLLAGES
first published in the San Francisco Bay Guardian, May 27, 2009 ACCIDENTAL, WITH PURPOSE by Matt Gonzalez WHAT BEGAN AS A FRUGAL effort to make use of leftover paint, something all painters grapple with on occasion, has spawned a late
THEOPHILUS BROWN, COLLAGES
first published in the San Francisco Bay Guardian, May 27, 2009 ACCIDENTAL, WITH PURPOSE by Matt Gonzalez WHAT BEGAN AS A FRUGAL effort to make use of leftover paint, something all painters grapple with on occasion, has spawned a late